Ida and August are two real people who lived before the outbreak of the First World War. For all the reality of their existence, they never met throughout their lives. Ida and August are the subjects of two randomly selected, very different private photographs from around 1910. These photographs are pieces of my collection, which I am constantly trying to expand. The leitmotifs of this collection are private and social life, as well as the living environments of people in the period before the First World War. So in a time when Europe was so completely different than we know it today. The cities looked different, people lived completely different than we do today, they identified themselves differently in their life contexts.When I look at these old pictures from the early days of photographic technology, I have the feeling that just by looking at them, the people in the photos experience an extension of their lives that have long since ended: there is someone looking at them, thinking about them. Their graves may have long since been leveled, their tombstones may have rotted away a long time ago, and yet: at least in the thoughts of their viewers, these people are back in the world. If you will, the idea that had already found expression in the pyramids of Egypt or in the tombs of European cathedrals is continued here: To remain in the conversation of the living in order to make one’s own eternity more probable.

Travel agent for a thought experiment

This observation on myself led me to a thought experiment: So if Ida and August find a new – yes, fantastic – way of living on in the fantasies of their viewers, why shouldn’t I let them experience something too? So I became Ida’s and August’s travel agent. In my imagination, I endowed them with the superpower of being able to travel through space and time and selected their itineraries. The journey of the two is a game. A game with history, stories and fantasy. Their destinations were and are places of history and stories. Sometimes they are places with little stories. Sometimes they are places of action of dramatic history. What all the images in this series have in common is that they will show a world untouched by all destruction before two world wars in Europe in the first half of the 20th century. Some of the places traveled by Ida and August depict settings from famous novels or world historical events. Others may only illustrate the buried memories of times long gone.
Let’s dive into these historical two-and-a-half-D experiences!

Ida

Actually, the name of the woman is unknown. Therefore, let’s just call her Ida. One reason to call her Ida is that at the end of the 19th century this woman’s name was one of the most popular names in Germany. And Ida is a child of the 19th century.
She is an average woman of her time. She is about late 30s, mid 40s in age. She is dressed in one of the then fashionable ankle-length white dresses, with a high-necked collar. This dress is more practical than festive. Around her neck she wears a simple chain with a medallion as a pendant. And in front of the chest instead of a brooch: a small bouquet of flowers. Perhaps she collected it in a meadow at the edge of the forest and put it together at random.
Ida stands in the shade and therefore holds her expansive hat in her left hand. Photographed this group picture in 1910 during an excursion in the southwest of the region Harz.

August

Unfortunately, we don’t know the man’s name either. I therefore simply call him August. This name was very popular throughout the ages. From the times of the Roman Empire (where Augustus meant the “exalted one”) to the times when “Stupid August” was the name for a clown in the circus. In the times when our photos were taken, men with this name were common.
Our August poses in a carefully staged and photographed family portrait at its extreme left edge. This image is not a snapshot like Ida’s keepsake. August and the other (presumably) family members have gathered on the occasion of a festive event. Their clothing is of the kind that was called “Sunday best” at the time. The pose of the sitter is artificial, not to say stiff. For the technically conditioned exposure times at that time, one had to look quite long motionless into the camera. This is one reason why you hardly ever see photos of smiling people from that time.
Back to the picture: August is standing a bit apart from the group. Yes, he is standing so far out that behind him the stage construction and props can already be seen, which actually do not belong on a photo. From the constellation it can be seen that August does not belong to the inner circle of the group. Is he a guest? A distant relative? A friend of the family? Let’s assume that his choice of place was made by himself, then August’s need to stand out can be seen very clearly. Possibly, however, August is not alienated by the people, but by the decoration of the scene. Maybe he doesn’t like this early 20th century “Baywatch” scenery: (Beach chairs! And then no sand! Pah!).

Well, this could be cheerful. August is probably more the serious type.